Shows
Upcoming Shows
DATE | DETAILS | TIME | LOCATION | |
---|---|---|---|---|
Aug. 28, 2024 | Scott Greeson Trio | Farm to Fork (ticketed event) | 5 pm | Boswell, IN (Benton County Fairgrounds) | |
Sept. 10, 2024 | Playing music with Vickie Maris at The Chalmers House. Guest guitarist: Gibson Wells | 6 - 8 pm | 106 East Main St., Chalmers, IN | |
Sept. 11, 2024 | Scott Greeson & Vickie Maris at Tick Tock Tavern & Eatery. Guest guitarist: Malachi Jaggers | 7 - 9 pm | 1816 North 9th Street Road, Lafayette, IN | |
Sept. 13, 2024 | With Vickie Maris Band | Purdue PMU Centennial Celebration | 6 - 8 pm | East Terrace, Purdue Memorial Union, 101 Grant St., West Lafayette, IN (event moves indoors if raining) | |
Sept. 18, 2024 | Scott Greeson & Vickie Maris at Tick Tock Tavern & Eatery. Guest guitarist: Michael Kelsey | 7 - 9 pm | 1816 North 9th Street Road, Lafayette, IN | |
Oct. 9, 2024 | Scott Greeson & Vickie Maris at Tick Tock Tavern & Eatery | 7 - 9 pm | 1816 North 9th Street Road, Lafayette, IN | |
Oct. 18, 2024 | Sweetwater Sound - with Vickie Maris for her set at Live at Lunch | 12 noon | Sweetwater Sound, 5501 US-30, Ft. Wayne, IN | |
Oct. 19, 2024 | Scott Greeson Duo | Music in the historic gambrel roof barn, The Farm at Prophetstown | 12 noon - 1:30 pm | Prophetstown State Park, Battle Ground, IN | |
Oct. 23, 2024 | Scott Greeson & Vickie Maris at Tick Tock Tavern & Eatery | 7 - 9 pm | 1816 North 9th Street Road, Lafayette, IN | |
Nov. 4, 2024 | With Vickie Maris on the Hail Purdue Stage, PMU, Purdue University | 6 - 8 pm | PMU, 101 Grant St., West Lafayette, IN |
Testimonials
"Very good musician and wonderful human beings. Love their music."
-Ed Joyce Steill
"I love Scott and his band; and their music."
-Bob Greene
"I love his music! Everyone has such a great time on stage! Great energy! Something for everyone!"
-Lee Anna Atwell
"Great warm music that is a joy to the soul!"
-Jacqueline Miller Munson
"Awesome guy! Great singer! What’s left to say?"
-Angie Brown
"Wonderful talented musicians; nicer people"
-Tom O'Dowd
"Great guy, great musician"
-Debbie Pelton Elsner
"He's an awesome person! I love his music!"
-Jacinta Zink
"Thanks for a much needed laugh while driving down Creasy Lane, listening to Moped Man."
-Becky Stuckey
"We love Scott’s songwriting and to hear him and the band perform. Wonderful."
-Lucille Maris
"The music is TRUE to Wabash River Valley/Hoosier Roots in lyric and melody. The word "genuine" comes to mind in listening to the natural weaving of vocal and instrumental threads of their music."
-John Prewett
"I really appreciate the fact that as I listen to Scott, I feel like I am really hearing him… I never get the sense that he is trying to be someone else. That honesty in his writing allows me to concentrate on what he is saying, both musically and lyrically, and I often find that I can relate to it with a kind of 'Yeah… I know what you mean.' … I also admire the fact that Scott has done so much for other local artists, whether helping them in the studio, or simply encouraging them to find their own voice, and sharing with others."
-David P. Bunte, WBAA Radio Program Director
"Scott Greeson is an artist that is true to his vision. His sincerity shines through his music."
-Rob Matson - Singer/Songwriter Country Q Productions, Nashville, TN
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Greeson and Ludwig are well-established local artists, and the instrumental album is a stunning work, also informed by adversity. Conceived as a tribute to Greeson’s first wife, who, after a long bout, died of congenital heart disease in 2006, the album has been almost a decade in the making and, as Greeson says, was part of his healing process. One song, “The Prophet,” was used in the recently aired PBS documentary, “Wabash: Life On The Bright White River,” and it is from this that the album takes its title. But nothing can truly prepare you for the beautiful instrumental work that lies within.
The intertwining of Greeson and Ludwig’s acoustic guitars is gorgeous, almost mystical, but nevertheless is rooted in fine pop hooks and excellent songwriting. Opener “Awakening” lays out the template with the double picking of the acoustics sending forth a crystal clear sound and, if I’m not mistaken, also contains the occasional nod to the Moody Blues. “Llama Dance” has one guitar strumming and the other picking, with signature hooks dotting the landscape. “Winter Banks” has a stunning “chiming” sound, while “Gypsies On The Wabash” starts with a mellow sound but evolves into a blues-jazz hybrid of great originality.
“Tunnel Of Trees’ provides more of an edge to the proceedings than the other tunes, underscored by some Mellencamp-like chord changes, while “Prayer Without Words” is almost classical in its elegance. For this listener, acoustic guitar discs sometimes induce drowsiness and inattention, but that is never the case with this album, as the top-notch songwriting and playing commands, indeed, demands, your attention throughout.
While Greeson has put out laudable works before this, his partnership with Ludwig has yielded something even finer. Highly recommended!