A little rain, a little snow, and a little cold accompanied us to the historic, small Indiana town of Delphi, on March 5, 2011. We were checking out a possible venue for the next live show recording for Scott Greeson and Trouble With Monday. While in Delphi, we were treated to a lovely tour of the Opera House, in the Assion-Ruffing City Hall Building built in 1864. The Delphi Preservation Society is working on the building and is making wonderful progress. It is most certainly a labor of love that will be appreciated for many generations to come.

View of Delphi Opera House stage from the balcony.
We followed Anita, our tour guide, through the gallery featuring artwork by our friend Rena Brouwer, and many other artists, writers and photographers. We then headed upstairs through the theatre, where we felt as though we had traveled back through time. The Opera House had been closed in 1914 and used as storage for shops below, so as the generations marched forward, many didn’t even know this jewel existed on the third floor of this old building on the square.
Scott and I felt honored to stand on the Opera House stage where local and international figures have once performed. The beloved and world famous opera singer, Marie Litta, was the first star to take the stage for a Grand Opening that celebrated the 1882 remodeling of the theatre. Here is a link to a biography of Marie.

Vickie Maris and Scott Greeson on Opera House Stage
This same stage also felt the musical rhythms of cornet player Walter B. Rogers who was a Delphi native, and the poetic artistry of Hoosier poet, James Whitcomb Riley who made at least six appearances on the stage.
In the theatre, we marveled at the skills of those who made and installed the windows, at the resources of Indiana hardwoods that millworkers had been able to use to craft the beams (now exposed as the ceiling is being repaired), and the expertise of the artists who had designed the wallpaper. We took an up-close look at a muted mural that was painted by an Indiana photographer in the 1800s as a backdrop for the stage. We admired performers’ autographs on the back stage walls, including that of Walter B. Rogers, and were wowed by the technology behind a gas-powered spotlight.

Scott Greeson and Vickie Maris in Opera House

Gas spotlight in the Opera House.
As Indiana artists, we had a sweet reminder today that you don’t have to travel very far in this beautiful state to enjoy the work of quite a variety of Indiana artists and craftsmen!

Stairwell from second floor down to the sidewalk. V.J. Maris iPhone images